Is music merely a sonic experience?
Are there no other senses affected by the makers of sound?
Of course there is. Let’s start with the Visual.
The artists themselves, the live gig experience, the visual feast at a club, music videos, video blogs of unsigned acts, TV music shows and more.
For many of a certain age, the most regular visual reference for them would have been the album cover.
For some, the cover was the closest they got to the love of their life. It helped to create the dream. Hugging David Cassidy, kissing Marvin Gaye, holding Debbie Harry, drooling over Clare Grogan of Altered Images.
For others, it would be to gaze upon their heroes, their idols, those who speak up for them.
The Hendrix pose, the Coltrane nobility, Patti Smith’s strength, Morrisey’s poetry, Marley rightousness, Bowie otherness and many more…
Sometimes it was a chance to escape into the realms of a sci-fi dream world, or a confirmation of their own life.
The album cover could provide a continual reminder to many budding musicians that ‘these people look like me…I could be them’.
Now that we have moved on from the analogue past, where does the Visual component of music rest in the digital present?
The CD art work is too small, too flimsy and too easily thrown away to warrant any comparison to the visual power of the album cover. So many great covers of the CD generation have been undervalued due to the materials it was showcased in.
Online, we have images on iTunes (if you are lucky), that can hide behind your thumb.
From 12 inches to 12mm…has the initial Visual Impact of music come to this?
Or have we now replaced the visual experience of music with a social one?



