Web/Tech:

Fripperies on Friday - The Boombox

My first boombox was called a Tensai Rhytm Machine. It looked like a standard boombox but it also allowed you to split the stereo into two recordable mono tracks and included five or six pre-set rhythms, which if you held two of the buttons down together allowed to ‘mix’ the rhythms. Prior to the invention of the first Tascam 4 track portastudio’s this was the first thing I owned that allowed me to record music with some basic overdubs and a rhythm track. Many happy hours were spent in my bedroom trying to be the next Durutti Column. Sadly my guitar playing never quite made the grade…

This video documentary created by National Public Radio in the US (who also produce some amazing free live concert podcasts avialable on iTunes), is a great 10 minute history of the boombox. It’s a shame that JVC never capitalised on the brand fame they aquired amongst the Hip-Hop community. How many brands since have tried to get rappers to positively namecheck them in a song?

Posted in Discover Music:, Music I Recommend:, Web/Tech: on Jun 26, 2009 by nick wattwith No Comments →

What a bunch of Twitters…

Many artists seem to have taken to Twitter like ducks to water. While some musicians found the idea of keeping a blog going too daunting, Twitter provided an easy way to connect with their fans. Even Nine Inch Nails Trent Reznor, who recently claimed he was giving up on social media, just couldn’t stay away and is happily tweeting away again.

But Twitter’s staggering success (it grow by a staggering 752% last year) has meant that the marketing world has pricked up it ears and started to work out how to use it market products. But like any form of social media it’s so easy to get it very very wrong. Spam no matter what form it takes is unlikely to gain you friends. And the worst form of spam in the Twitterverse is using #hashtags, which allows you to post to all users who are interested in a specific topic. It may seem to some marketers that this is a great way to get to a large number of people quickly, but it is likely to have the opposite effect.

Before you start using Twitter to promote your latest releases I suggest you check out this case study on what not to do, which highlights how Habitat got it so so wrong with there recent Twitter campaign…

Posted in Advertising:, The kind of stuff citizensound does:, Web/Tech: on Jun 24, 2009 by nick wattwith No Comments →

Fripperies on Friday

The sun is shining and it’s looking like it’s going to a lovely weekend. So what better than a bit of fun to make the rest of the working day go just a little bit quicker…

This weeks Fripperies On Friday is powered by some of the new technology that is being developed in the US by Echo Nest, who will be powering Spotify’s new music recommendation service when it launches later this year.

mycowbell.dj allows you to add both a cowbell AND Christopher Walken to any MP3 you have on your computer! The idea was inspired by a legendary Saturday Night Live sketch that featured Walken and a rather hairy Will Ferrell who adds rather too much cowbell to Blue Oyster Cult’s classic ‘Don’t Fear The Reaper’.

You can check out how it coped with Pilooski’s remix of Frankie Valli & The Four Seasons ‘The Night’ by clicking here, then have a crack at making your own track

Have a good weekend…

Posted in Share Music:, Web/Tech: on May 29, 2009 by nick wattwith No Comments →

VV Brown : Banner Ad

Now I am not a big fan of banner ads from music companies. The belief that a banner will lead to immediate sales ( behold the one-click sales strategy) is thankfully being seen for what it is. Merely the pitch of a Direct Marketing company selling their wares. As click-through rates disappear out of sight, it is somewhat disheartening that so many music marketing campaigns still hang on to the hope that banner ads will drive immediate sales. Building awareness of the artist yes, selling units quickly…some hope.

However, a huge cheer for VVBrown and Island Records for running this campaign. The band perform within a banner. Nothing more to say really. You can fill in the gaps of why this is such a great idea. It will be copied, but never surpassed. Only annoyed I didn’t pick this up earlier. This happened back in February (an age ago!).

Next question though…did it work for them? Off to go and ask…

Posted in Brave Brands:, Music Marketing:, Web/Tech: on Mar 05, 2009 by paul baywith No Comments →

Last.fm+Youtube = the coolest music channel in the world

I love mashups when they do something really simple and really smart. Tim Bowman’s clear little mashup takes the technology behind Last.fm to recommend a whole load of videos for you to watch from You Tube. You simply type in an artist or a last.fm username and you get an instant video channel, rather than just listening to a a bunch of audio clips! It works pretty well, in the example (below) I put in 70’s UK art-punks Wire and got 70’s US art-punks Per Ubu! If you want to see what I’d recommend just type in nickwatt into the search box! Go check it out here

Posted in Music I Recommend:, Stuff We Like:, Web/Tech: on Jun 06, 2008 by nick wattwith No Comments →

Vox Pop Record Store and more in Manchester UK

Vox_pop

Nick and I took a trip to Manchester UK to meet up with a number of people. First stop Gary McClarnan. We met up at his great record store Vox Pop. Also sells the best cup of coffee in Manchester plus some great Tees. Then headed off for an evening listening to people discuss the meaning of Internet 2.0 at The Circle Club. On the lanel included a Futurologist no less, whilst in the audience someone introduced himself as a part-time futurologist. Can anyone explain what a part-time futurologist is exactly?

Posted in Music Retail:, Web/Tech: on May 09, 2007 by paul baywith No Comments →

Napster gives customers free music

Napster has struck a deal to allow AT&T wireless customers to download music for free, to do with what they want, for a year. This may not sound like much — but it harkens back to all those mistakes that the music industry made in dealing with the Internet a few years back. Music execs are still reeling from these decisions, which caused losses of 10% or more in overall business each of the last several years. The Napster deal reflects again the issues that mostly traditional TV and film content companies are dealing with when it comes to the Internet and users "sharing" content.

Some have decided to make friends, such as CBS and NBC have done with the likes of YouTube. Others have weighed in and determined that YouTube is the devil for their digital business extensions. On this side, Viacom has decided to speak in legal language. The Napster deal means new or existing AT&T customers can have unlimited access to more than 3 million song tracks that customers can transfer, freely, to compatible wireless phones and music devices. Free? Wasn't that a major problem for the music industry not so long ago? Not so much now. TV and film content producers didn't make that same mistake. In addition, to all those $1.99 per song deals via iTunes Music Store, those TV/films companies were smart enough to also offer free content — and have all of it supported by advertising. So what is the lesson learned here? As usual, it is not only a balancing act between what an entertainment/content company wants and what its customers wants. It's also having the vision to see what business will be like five or 10 years down the road. From there, you work backwards. Then forward. No napping allowed.

Posted in Brands in Music:, Music Business:, Music Marketing:, Web/Tech: on Apr 02, 2007 by paul baywith No Comments →

Gaming is for life, CD is for a second…

I have been posting a lot on the recent Understanding Digital Youth conference over on the citizenbay blog.

At the conference, there were a panel of young people who were bombarded by questions from the conference attendees. Not exactly a true insight into youth culture and thinking, but of more worht than a staged focus group in my opinion.

The group were asked about their views on music piracy. The general feeling was that if they could copy a friend’s CD they would. If they could get music for free they would. Nothing new here.

However, Matthew mentioned that for him the need to own something is stronger when it comes to Gaming. If he was to choose between owning a Game and owning a CD, he would choose the Game every time. For him and for others he knows, a video game has value amongst his peers. They can be swapped, traded like cards. With CDs he see no long term value, he just sees them as something that loses value over time. So what does a Game have that a CD doesn’t? Something in that for more exploration…

Posted in Share Music:, The kind of stuff citizensound does:, Web/Tech: on Feb 01, 2007 by paul baywith No Comments →

Death By Powerpoint?

Last week I spent two days at Marketing Week’s Interactive Summit in London. Part of the reason for attending is that New Media Age and Marketing Week have kindly asked to be programme director at this years Online Marketing Show, and I wanted to check out some potential speakers.

As with most conferences I seem to attend these days, the event was the usual mix of folk who totally missed the point, folk who couldn’t be bothered to follow the brief they’d been given because the had their own agenda (usually a sales pitch!), mixed in with a few excellent presentations from folk with something really interesting to say and/or some real insight.

For example, Dennis Woodside, the new(ish) MD of Google in the UK claimed that with digital storage space doubling at an increasingly scary pace (not Moore’s Law but something similar), we’ll be able to get an iPod/Phone that can store every piece of music ever recorded by 2015! WOW. However, it makes you think who really needs an 80GB player full of music (it would take over 5 weeks of continuous listening to listen to every track), never mind a player with literally a lifetime’s worth of music on it? However this got me thinking…

Pete Jenner, ex-manager of the Pink Floyd and secretary-general of the International Music Managers’ Forum, recently announced at the Beyond the Soundbyte
conference a proposal to replace existing consumer payment mechanisms
for music rights with a mandatory, Europe-wide tax modelled on the UK’s
TV licensing fee and to be paid by anyone with a broadband connection
or mobile phone.

If this model was adopted it would have a far reaching effect on the music download space. The revenues would likely shift away from the physical act of selling a download (as the music itself would be ‘free’) to other business models. While the serious competition would most likely come from a number of players already active in this marketplace - ISP’s and Mobile networks,  MP3 player and mobile phone handset manufacturers - the relative importance of recommendation services such as last.fm and mog would grow dramatically. If you have millions of tracks to listen to, all for free, how would you decide what to listen to? The music recommender’s could yet own a big chunk of the music space in the future.

Three of the potential key players in this new music economy presented at the event. Sadly Stefan Glaenzer, Executive Chairman of Last.fm was the only one of the three to give any real insight to the music space. The site now has 20 million unique users per month, a 65 million track catalogue, covering 4bn+ music taste items and over 350,000 major tags.

Meanwhile, Stephen Huddleston from BT gave me an idea for a new business venture but I’m not sure if I could find a VC to fund it (a hit squad to eradicate FD’s!). David Exion, Vodafone’s Director of Global Brand Strategy and Manifestation (and founder of Hyper Island), had some interesting things to say about engagement in the digital age. He showed some great examples from their work in the Second Life community, which included a ‘virtual’ yet ‘real’ mobile phone that lets you call users outside of the ‘game’, as well allowing people from outside to call you while in the ‘game’ (a lot of your tea/dinner is ready/burnt type calls from parents/partners can be expected no doubt!).

Nick Watt - Citizen Sound

Posted in The kind of stuff citizensound does:, Web/Tech: on Jan 21, 2007 by paul baywith No Comments →

Goodbye independent record shop?

Really interesting post on the death of music retail by Andrew Dubber, degree leader of Music Industries at UCE Birmingham.

His suggestion is for the independent stores to give up the ghost and go online, creating your community there. Very thoughtful piece from someone who clearly loves the independent store but fears for their future if they do not adapt.

Posted in Discover Music:, Music Retail:, Share Music:, Web/Tech: on Jan 03, 2007 by paul baywith No Comments →